Search:

search tips 

© Center for a Public Anthropology,
Robert Borofsky (2001)
All Rights Reserved

American Anthropologist
1923

De Hostos, Adolfo.    Anthropomorphic Carvings from the Greater Antilles. American Anthropologist October-December, 1923 Vol. 25(4): 525-558.

In this essay Adolfo De Hostos tries to decipher certain West Indian artifacts through an explanation of their origins and characteristics. He summarizes that "the anthropomorphic stone carvings from the Greater Antilles should be considered as evidence of local developments of a specialized art evolved from the agricultural complex of eastern South America" (529). For the purposes of De Hostos’ research, he chooses to separate the Antillean carvings into two categories; the first including separate human heads, and the second including semblances of the entire human body. He follows with detailed descriptions of both groups. It is through these descriptions that De Hostos relates the Antillean carvings to animism, and insists that they not be prejudged as involuntary expressions of creativity. Furthermore, he argues that the simplicity of the objects is deceiving and should not discredit or discourage their study.

De Hostos pinpoints three forms of Antillean carvings: three pointed idols, elbow-stones, and collar-stones. Through description and sketch, substantial attention is paid to the carvings’ facial features and limbs. The importance of both the placement and size of the forehead, eyes, ears, nose, cheeks, and mouth is elucidated. In addition, the significance of the position of the carving’s limbs and how it is posed (squatting, kneeling, or standing) is interpreted. Anyone with an interest in the precise detail of such artifacts will benefit from this article.

CLARITY RANKING: 3

NICOLE ARSENAULT Wheaton College, MA (Donna Kerner)

De Hostos, Adolfo.     Anthropomorphic Carvings from the Greater Antilles. American Anthropologist. Oct. – Dec., 1923 Vol.25(4):525-558

This article presents an argument that the Arawak inhabitants of the Greater Antilles originally migrated from north-eastern South America. The author points to the form, style, and function of Antillean stone carvings as evidence of this migration, stating that they evolved from a tradition of archaic art found on the mainland. Two points are made to back up the argument. The first point is that the animistic subject matter of the carvings shows that when they were sculpted, the inhabitants of the Antilles practiced a simple animism deriving from the agricultural complex of eastern South America. The second point is that the primitive execution and conception of the carvings demonstrates their link to prehistoric sculpture from the continent.

The first assertion, that the Antillean carvings depict religious subjects and were used in animistic ritual is based on the following evidence: 1.) that the abstract nature of the individuals depicted in the carvings (without facial expression, clothes, tribal markings etc) suggests that they do not portray humans, but gods or spirits; 2.) that unusual images portrayed in some of the carvings (ie: death heads, distorted limbs, crawling beings) may have been inspired by visions attained through ritual use of narcotics and; 3.) that many of the objects, such as amulets, pestles, and masks are of a type that would be used in religious rituals.

The second argument, that the carvings are primitive and therefore derive from an archaic tradition of carving on the South American mainland, is backed up with a detailed description of incision techniques, which are evaluated as crude, as well as an itemized study of the style and methods used for sculpting the facial features, headbands, and body details of the carvings. These are listed under headings such as Eye, Nose, and Body Details.

The author writes engagingly, using illustrations of different features of the carvings to support his argument. The article concludes with a number of points to consider in a possible comparitive study of the stone sculpture of Haiti and Puerto Rico.

CLARITY RATING: 3

TIFFANY GALLAHER. University of British Columbia, (John Barker)

De Hostos, Aldolfo. Anthropomorphic Carvings from the Greater Antilles.
American Anthropologist January-March, 1923 Vol.25(1): 525-558.

One culture, three different islands, very similar results. The author of this article studied the aboriginal culture of the Arawak in terms of rock carvings and found very surprising results. Eastern Cuba, Haiti, and Porto Rico are the three islands under the author’s microscope and he found that even though these cultures are separated they - in terms of sacred rock carvings - are almost identical. The author of this article is expressing to the reader what carvings looked like and what they meant in the area of the world known as the Antilles. These carvings ranged from massive to miniature and were primarily carvings of human figures and their weapons or tools of choice. This article also describes how such carvings where constructed, and the meaning of such carvings. The data offered by the author was very detailed and well organized. He broke the carvings down into two major categories: separate human heads and entire human bodies. These two categories were then broken down into many different categories which were important to the carvings. The author goes deeper into these sections and even provides pictures of the many different styles of carvings.

The meaning of these carvings are believed to be gods and spirits. According to the Haitian belief in animism, is every object, being, process, and phenomena possessed a spirit. So this theory is believed to be behind the carvings’ existence. These carvings represented anything from men getting ready for war to hoping for a good vegetable growth that season.

The clarity of this article was adequate. It was a little difficult at the beginning to see where the author was going, but once he got to the surprising similarities of the three islands through rock carvings and the analysis of the carvings the author achieved true clarity.

CLARITY: 4

STEVE ROBERTS University of South Florida (Kevin A. Yelvington).

De Hostos, Adolfo.     Three-pointed Stone Zemi or Idols from the West Indies: An Interpretation. American Anthropologist January-March, 1923 Vol. 25 (1): 56-71.

Native American artifacts from the Great Antilles, known as the Three-pointed stones, have been viewed as mysterious and puzzling to researchers. Collectors have hypothesized many interpretations of their purpose and use. Some collectors believe that these objects are vessels used for crushing, while others think that they represent the brilliance of the man and animal figures, and others, that they represent volcanic phenomena.

These Three-pointed stones have been examined historically and archaeologically. Ramon Pane, a friar who spent time with the Haiti Indians, thinks that the Three-pointed stones cause the yuca plant, a root eaten as a staple food of the West Indies, to thrive. The Three-pointed stones are generally shaped the same and have been acknowledged as zemi, or a sacred spirit that helps the yuca to grow. The stones are made from a large rock, smoothed and formed into the shape of a triangle. Human or animal figures are carved into the sides, tops and edges of the stones. The size, shape and placement of the carvings vary from stone to stone.

Native American tribes in the Great Antilles were known for their remarkable agricultural art. They had sophisticated methods of irrigation, soil preparation and fertilization. It is also believed that the stones were the result of a bountiful harvest. Perhaps using the stones in a ceremonial way would result in good crops. It is viewed by collectors of the stones that there is a symbolical connection between the stones and the phenomenon of vegetable growth. An uprooted adult yuca plant has a noticeably similar shape to the Three-pointed stones. The spirits zemi are seen in all things that the Native American people hold important. These spirits are given human and plant attributes. Regardless of whether the spirit is good or evil, it is believed that the spirits must be pleased in order to have a favorable crop.

CLARITY RANKING: 3

EMILY HORNE Wheaton College, MA (Donna Kerner)

De Hostos, Adolfo.     Three-Pointed Stone Zemi or Idols from the West-Indies: An Interpretation. American Anthropologist January-March, 1923 Vol.25 (1): 56-71.

In this article Adolfo de Hostos attempts to shed some light on the meaning and uses of three-pointed stones from the West Indies which have been subjected to many mixed interpretations. Proposed functions for the stones are numerous. They have been interpreted as paint mortars, as symbols to account for volcanic phenomena, as cosmotheogonic symbols, and as clan idols or images of tutelary totems. De Hostos agrees with Dr. J.W. Fewkes’ speculation that the stones were idols or zemi (meaning "sacred thing"). He seeks logical, systematic evidence on which to base the view that these three-pointed stones represent agricultural idols for the promotion of plant growth. He draws on historical, archeological and collateral data to support this claim.

He begins by examining the testimony of friar Ramon Pane who witnessed many of the native ceremonies when he lived among the Indians of Haiti in the fifteenth century. Pane describes stone zemi with three points which the locals believed caused the yucca plant to grow. The purpose of idol worship, de Hostos argues, is to evoke the assistance of the spirits for some temporal benefit, which in the case of agricultural idols such as this, is to aid in the growth of cultivated plants.

De Hostos goes on to describe the morphological details of the stones, organizing them into arbitrary classes based on complexity. The simpler forms always have a prominent conoid projection, which he believes is an objective representation a tuber of the yuita plant and "was made to symbolize the invisible power of germination which they knew to reside in the bud" (64). Different forms of the stone zemi may have been used for different plants.

According to de Hostos the use of agricultural idols would have been the combined product of three factors: "1) a wish to promote the well-being of slow growing plants; 2) woodcraft and plantlife knowledge acquired in the course of the native’s routinary activities in the field; 3) his mental subordination to animistic beliefs" (63). He goes on to provide explanations for the anthropomorphic and animalistic representations on some of the more complex zemi, arguing that they are an outward depiction of animistic concepts. The animal groups represented are either beneficial or harmful to plant life and the stones elicit the help or cooperation of these animal spirits to accelerate the growth of the plants. The stones with concave bases may have been attached to stone collars, thought to be "the embodiment of a tree spirit", in ceremonies where the reproductive powers of the three-pointed stone zemi were required.

De Hostos makes his arguments clearly and succinctly while still paying considerable attention to the details of his argument.

CLARITY RANKING: 5

CAROLYN SAUNDERS University of British Columbia, Vancouver (John Barker)

Densmore, Frances.     Conscious Effort Toward Physical Perfection Among the Makah Indians. American Anthropologist October-December, 1923 Vol. 25 (4): 564-567

Research of Makah music has put forth two ideals of the Makah Indians. The first ideal is physical beauty among women, and the second is physical strength among men. The primary source of evidence that supports these ideals were songs by the Makah which had elements of vanity and focused on the appearance of the individual.

Upon further investigation of this "child-like vanity," the author discovers a routine that is common among the Makah. It is a process of massaging that begins at the birth of a child and continues "with unremitting diligence during the entire life of the individual".

This procedure, as stated above, begins right after birth when the head, face and body are massaged very carefully. At this early stage, the child’s bones are still soft so massaging ensures the correct molding of the child’s facial features, head, and body to the Makah standards. This is repeated for the baby three times during the course of the day. According to the Makah, massage is the underlying framework for reaching physical perfection.

A young girl is instructed to use a "powder puff" made of inner bark fiber of young cedar trees to rub her face to "take off the shine." This process becomes the morning ritual of a woman "who [is] careful of her appearance."

The men’s routine involves taking baths when the moon is waxing and praying for their strength. In addition, they engage in contests of strength by seizing another man by his long hair and attempting to throw him to the ground.

Achieving physical perfection is an integral aspect of Makah culture. The techniques and rituals between men and women may differ, however, it is clear by studying both sexes that an inherent belief in beauty is represented in the rituals of the Makah Indians.

CLARITY RANKING: 4

TANYA SZAFRANSKI Wheaton College, MA (Donna Kerner)

Densmore, Frances.     Conscious Effort Toward Physical Perfection Among the Makah Indians. American Anthropologist. Oct.-Dec., 1923 Vol.25(4):564-567

This short article describes methods used by the Makah of Washington State for enhancing beauty, which is considered an important attribute for both sexes, and building strength, seen as an important trait for men. Densmore learned of the significance placed on these qualities through observing indigenous songs and dramas in which they were celebrated. She believes that a description of Makah standards of vitality and beauty and the means of attaining them is a natural topic of interest for anthropology.

The article begins with several examples of "admiration" songs celebrating comeliness and strength. It follows with descriptions of beauty treatments for babies, young girls, women, and men. Rituals for babies centre around regular massage, believed to help shape their bodies and features. This massage continues into adulthood for both sexes. It is supplemented in women with bathing, hair and eyebrow care, attention to posture, and a specialized diet. Men bathe frequently during the waxing moon, believing that this builds their strength. An example of Densmore’s description of Makah cosmetic practices is as follows:

"…While the child’s bones were soft, the shape of the nose was modelled, the ridge between the eyes receiving special attention. The cheeks were rubbed upward so that they would not sag, the eyes were rubbed outward "to take out puffiness," and the eyebrows were massaged "to get them into the proper place (566)."

Densmore concludes the article with an account of methods of wrestling and instruction by which men encourage each other to improve their strength in order to become dependable warriors. The article is written clearly and concisely.

CLARITY RATING: 5

TIFFANY GALLAHER University of British Columbia, (John Barker)

Densmore, Frances. Conscious Effort Toward Physical Perfection Among the Makah Indians. American Anthropologist, 1923 Vol. 25: 564-567.

In this article Densmore focuses upon Makah perceptions of beauty and beliefs on the proper human form. Densmore relates these views by recounting a dancing scenario he observed among the Makah. The dances he observed featured body language and music that focused on the issue of physical appearance. Some of the participants sang about how they were grateful for their good looks; while some mourned the loss of such attractiveness. Dancers would pantomime certain actions pertaining to beauty; such as looking into a mirror.

Densmore finds that the theme of beauty is not confined to dance. Rather the dances and songs are a projection of common behavior. The key behavior for attaining beauty among the Makah is by massage. Shortly after birth, the young Makah under goes his or her first massage. These initial massages are directed at preventing sagging in the face, maintaining a slim figure and for good posture. As the child grows older the massage practice abandons the practice of hand massage and proceeds to massage his or her self with foliage. Women are taught to use the fiber of trees to clean and scrub their face. Also, they are instructed to bathe and shampoo regularly. The Makah quest for beauty does not end at the act of massage. For four years after a Makah women reaches maturity she is prohibited from consuming certain foods. The Makah believe that the forbiddance of such foods will help women to retain a proper figure. Makah men took an active and prescribed part in these beauty rituals. However, the focus for masculine beauty was more related to public displays of strength. It was common practice for Makah men to engage in martial contests with other men to show off their strength. The men were rated by their strength, which fell into the categories of “good” “better” “best.” Densmore remarks that this rating was done to better prepare Makah society in the event of warfare.

Densmore makes a good case for his remarks by employing both Makah lore and observed ceremony. However, I feel that Densmore should have employed a higher level of analysis in this article. He does not discuss why the Makah are concerned with physical beauty. Perhaps this issue would seem obvious at first glance but Densmore stated that this article involved “conscious effort” and beauty. So, what was the consciousness behind these activities? I do not feel that Densmore satisfied this concern though I do find his observations appropriate and well formed.

CLARITY: 4

CHRIS SHEFFIELD University of South Florida (Kevin A. Yelvington).

Densmore, Frances. Conscious Effort Toward Physical Perfection Among the Makah Indians. American Anthropologist, 1923 Vol.25: 564-567.

In this article Densmore reveals his ideas on Makah music and how it relates to the tribe’s culture. He feels that the music represents two of the tribe’s main ideals. One is the importance of physical beauty for women and the other is the importance for men to exhibit physical strength. This is of importance because music of admiration, as Densmore points out, “has always been attributed to the influence of the white race” ( Densmore, 564). Densmore offers evidence that the music is native and not influenced by another culture.

He finds that a ritual , called a massage, is the basis for the desire for physical beauty and strength. “As soon as a child was born, before it was bathed, its head, face, and body were carefully massaged (566).” During the process the nose was molded, eyebrows places in the proper place, cheeks rubbed up to prevent sagging, and the wrists and ankles massaged to ensure slimness. These techniques to enhance beauty continue in the person’s life.

Young girls were to rub their face with cedar bark fibers and to eat a special diet that would prevent corpulence. Beauty regimens continued as girls grew older. Besides face massages, women in the culture were to take proper care of their hair. The tribe had formulas for “hair care products”, usually made with huckleberry (566).

Men were to bathe, rub themselves with herbs, and pray during the waxing moon to promote strength. A man’s strength was measured by a process called the “hold”, which was used to classify men according to strength. “Each man seized his opponent by the hair on either side of the head and attempted to hair. throw him to the ground.” This ritual made it important for men to have an abundance of hair. These rituals were performed during potlatch ceremonies (567).

CLARITY: 5

ELISE WENDLAND University of South Florida (Kevin A. Yelvington).

Fewkes, Walter.     Clay Figurines Made By Navaho Children. American Anthropologist October-December, 1923 Vol. 25(4): 559-563.

Walter Fewkes’ article describes a collection of clay figurines presented to the Bureau of American Ethnology by Dr. W.H. Spinks. Researchers agree that the objects were made by young Navaho children. The figurines take the form of animals and human beings. They are also said to represent the concerns most connected with the lives of children. The figurines most likely functioned as toys for the Navaho children. This article includes several pictures of the figurines that are mentioned.

The author’s intent in writing this article is two-fold. First, he finds the children’s artistic ability noteworthy because the toys were created with such realistic accuracy. A second, more scientific reason is that some of the objects strikingly resemble a type of figurine discovered in the ancient ruins called "prehistoric fetishes." These were figurines used in Pueblo rites and placed in shrines. The author rhetorically asks whether the figurines could be "survivals reduced to play things or are they anything more than simple toys?" (559).

Fewkes does not answer the above stated question. However, he does state that even if the figurines were modeled after prehistoric effigies, one cannot assume the figurines did not also function as toys for the children of prehistoric times. Fewkes also adds that prehistoric Pueblo children are noted to have made similar figurines. He concludes by saying that he has no facts to prove or disprove whether the children were shown how to make the figurines or whether they did this on their own initiative.

CLARITY RANKING: 3

JESSIE HUBBARD Wheaton College, MA (Donna Kerner)

Fewkes, J. Walter.     Clay Figurines Made by Navaho Children. American Anthropologist. Oct.- Dec., 1923 Vol.25(4):559-563

This short article describes a collection of toy figurines modelled by a young Navajo child. The author comments that they illustrate the influence environment has on early childhood skill development and on shaping nascent perceptions of the world. He also speculates on their possible use in interpreting the function of similar objects found in archaeological excavations of Navajo pueblos.

The first observation is that the dexterity of the pottery work shows the influence of environment on the development of specific skills. Fewkes compares the quality of the Navajo child’s modelling to the more inferior quality that would be expected in the work of a white child of similar age. The implication is that the importance of pottery-making and dearth of commercially manufactured toys in the Navajo child’s environment has resulted in her acquiring skills in modelling figurines from clay which would be considered "precocious" in Western society.

The second observation is that the subject matter of the figurines shows the importance of environment in shaping perceptions of the world. The author notes that the images the child is surrounded with, namely domestic animals, babies, and blanket-clad women, are those she depicts in her pottery work.

The final, most significant observation, that the toy figurines are similar to archaeological specimens found in Southwestern pueblo sites, is elaborated on by the author as follows. He states that archaeologists working in the Southwest have interpreted prehistoric figurines as religious fetishes, based on the knowledge of their use in contemporary Navajo religious ceremonies. However, this interpretation is not adequate, as the above contemporary example of figurines used as children’s toys indicate that such artifacts may also have been made for use as playthings.

This article is clearly and concisely written and includes photographs of the toy collection described.

CLARITY RATING: 4

TIFFANY GALLAHER University of British Columbia, (John Barker)

Fewkes, J. Walter. Clay Figurines Made by Navaho Children. American Anthropologist, 1923 Vol. 25: 559-563.

This article discusses clay figurines made by Navaho children. The author states that they are remarkably creative and clever, and that the quality is rarely seen in objects made by white children. The objects themselves seem to be playthings, according to Fewkes’ “informant,” and they are mostly women figures and those of domesticated animals, such as sheep, goats, horses, dogs, and cats. Fewkes argues that they represent what surrounds the child.

The question asked is are they just toys, or survivals diminished to playthings? The animal forms seem to resemble “fetishes” that have been found in Southwestern ruins. The majority of the figures are of women, but facial features are not represented. Also of interest to the author is that they were seemingly made without any tools, and instead were skillfully molded out of adobe. Still, no details exist as to whether the children made the figures on their own, or were shown how to by their mothers.

Perhaps the main issue in the article is that of the idea of the fetishes. Similar objects have been found in the prehistoric mounds of ruins. Previous excavators have
thought they might be ritual figurines, but Fewkes disputes this by saying that is not necessarily true. He asserts that there is reason to believe that they were made as toys for prehistoric children, and that they perhaps made effigies themselves.

The article’s basic point is that these objects seem to be nothing more than playthings. Fewkes takes this standpoint himself, but provides little evidence. When people are in doubt as to what an object is, they tend to say it is either ritualistic or for fertility. Some people have said that these clay figurines were ritualistic, but Fewkes disputes that. In all fairness to him, there really is not a way to be sure, all we can do is speculate. That is what Fewkes does – he asserts the possibility for all options.

CLARITY: 4

ANDREA ROWLAND University of South Florida (Kevin A. Yelvington)

Fewkes, J. Walter.     The Hovenweep National Monument. American Anthropologist April-June, 1923 Vol. 25 (2): 145-155.

The Hovenweep National Monument in Southwest Colorado and Southwestern Utah was made into a reservation in order to preserve the antiquities that are similar to other monuments. Furthermore, it preserves the features that have not been discovered in other monuments in the region. There are three types of prehistoric towers in the monument’s regions found in these sites. The first type of tower is the square, circular, or semicircular. Second, there are towers positioned next to kivas, which are ceremonial rooms. Kivas are found underground or at the base of a tower. And finally, there are towers that rise from the pueblo which constitute living established villages, or cliff dwellings.

There have been several theories suggested by the author to explain the function of the towers in the monuments. One is that they were used for practical purposes such as food storage, observatories, or forts. Another theory suggests that the towers functioned as a place of religious worship in conjunction with the kivas. Perhaps spiritual ceremonies were conducted around the towers.

The Hovenweep National Monument reservation has several towers which were very well preserved after their abandonment. Compared to other national monuments in the Southwest region, Hovenweep National Monument is in great condition, perhaps due to the more recent construction of the pueblo. Some of the walls of the pueblo have collapsed to the ground or into the canyons. Debris has also accumulated and filled some of the kivas. Archeologists in the field would most likely benefit from the continuing to study this site, considering some of the features have not yet been described.

CLARITY RANKING: 3

EMILY HORNE Wheaton College, MA (Donna Kerner)

Fewkes, J. Walter.     The Hovenweep National Monument. American Anthropologist January-March, 1923 Vol.25 (2): 145-155.

This article describes the ruins of the newly created Hovenweep National Monument located in western Colorado and southeastern Utah. The majority of the ruins consist of well-preserved towers similar to those in the adjacent Mesa Verde National Park. It is Fewkes’ belief that the Hovenweep towers were constructed after those in Mesa Verde because they are in a better state of preservation.

The first portion of the article consists of a short discussion of the significance of the towers to those who built them. The towers have been variously interpreted as forts, observatories, or as storage units for grain. The author speculates that the towers serve a ceremonial function, particularly for the worship of the sun. The basis for his interpretation wrests on the agricultural lifestyle of those who built the towers. Fewkes reasons that a tower would provide a much needed vantage point for observing the rising and setting of the sun and hence would aid in determining times for planting and harvesting. Conversely, the subterranean rooms or kivas located under the majority of the towers would provide a site for the worship of mother earth. Fewkes describes some of the idols and pictographs associated with the sites to support his theory. Images of the sun, coiled serpents, mountain lions and mountain sheep are some of the symbols that adorn many of the buildings. Fewkes’ interpretations rely heavily on speculations that are not adequately supported by textual evidence, giving the reader the impression that his theories are improbable or at least subject to doubts.

The second half of the article offers minute descriptions of each site including the location of the site in the monument, the shape and size of the tower, the state of preservation and any other details deemed important, such as unusual types of masonry. There is very little interpretation in this portion of the article.

This is a simple, easy to read article, however, it is primarily descriptive and offers very little in terms of engaging analysis.

CLARITY RANKING: 5

CAROLYN SAUNDERS University of British Columbia, Vancouver (John Barker)

Flom, George T.     Figures of Ships and the Four-Spoked Wheel in Ancient Irish Sculpture. American Anthropologist July-September, 1923 Vol. 25 (3): 387-396.

Flom’s research in this article is based on rock carvings of ships and four-spoked wheels found in Ireland. This article will be more useful for those who already have some knowledge or interest in Irish rock carvings and their influences. Flom relies on previous work done by George Coffey in his memoir, On the Tumuli and Incised Stones at New Grange, Dowth, and Knowth, and A. L. Coll’s work in Scandinavian rock carving classifications. Great attention is paid to the types of carvings found in specific regions.

The Irish figures of ships and four-spoked wheels are rarely found in England or Scotland. Flom finds that Scandinavian influences are highly prevalent in both the complete and incomplete carvings on Irish soil. The Irish carvings are said to be of the Bronze and late Neolithic Age. In contrast, the Scandinavian drawings, mainly from Sweden, are of the Stone Age, thus making his proposal plausible.

Many cross-comparisons are also made between the Irish rock carvings found in different sites. Flom provides great detail of each rock, specifically how the lines are drawn and the ratio of the figures to other drawings on the rock. He focuses more on the figures of the ships and devotes only two pages to the wheel carvings. Aside from the descriptions, Flom’s only conclusion is that a connection can be seen in Scandinavian and Irish rock carvings, suggesting Scandinavian influences on the Irish.

CLARITY RANKING: 3

CARRIE L. PRIOR Wheaton College, MA (Donna Kerner)

Flom, George T. Figures of Ships and the Four-Spoked Wheel in Ancient Irish Sculpture. American Anthropologist July-September, 1923 Vol.25(3): 387-396.

Flom references multiple earlier works on the topic by other researchers in his article. Knowledge of these works along with a previous awareness of the subject would be helpful in reading and understanding the article. Flom’s main objective is to show evidence of the figures of ships and the four-spoked wheel in Irish sculpture.

Flom describes the “ship pictures” as evolving from the simplest, type a, to the most complex, type c. Of those from Loughcrew, the incomplete ships are the most rudimentary of the most primitive category. The finished ships belong in class c. In New Grange the ships were classed as b or intermediary between b and c. The ship at Dowth appears to be an early form of type c. Flom states that the described ships look like others from the Mediterranean and North Scandinavia and that there could be a relationship between their origins.

Flom indicates that the ships from New Grange, Dowth and Loughcrew all support his assessment that the ship forms from North Scandinavia resemble those from the South of Europe. He uses the evolutionary type forms of the ships as well as the details of the carvings themselves. Flom also mentions the four-spoked wheel towards the end of the article. The wheel carving was found only once in Scotland but there were multiple found throughout Ireland. The trends between the ship forms in Irish sculpture seem to coincide with those of the four-spoked wheel carvings. He also points out that there is a possible connection with the Celtic West and those of the Scandinavian North.


CLARITY: 3

FAYDRE L. PAULUS University of South Florida (Kevin A. Yelvington)

Goldfrank, Esther S.     Notes On Two Pueblo Feasts. American Anthropologist April-June, 1923 Vol.25 (2): 188-196.

In approximately 3000 words, Esther S. Goldfrank provides an observational account of autumn festivals in "Notes on Two Pueblo Feasts." She comments on a span of several days before and during the events, extremely careful of detail, social interaction, and the sequence of events. The first description is of St. Joseph’s day in Laguna, NM, and comparison is then drawn to the second festival six days later for St. Elizabeth in Pohuati.

In describing the feast at Laguna, Goldfrank notes a voluntary change in the event date to autumn so the feast will be more plentiful. The emphasis on feast preparation and event procession occupies the bulk of her essay. Various groups from the regions arrive amongst the backdrop of food, dress, and material preparation in a complete picture of the mounting event. Goldfrank continues her chronological account by describing the different American Indian groups and Mexicans who gather together dressed in their best garb for Catholic mass. After all partake in a procession through the village; she describes the different ritual dances that are the main event of the feast. Duly noting the dress, actions, and configurations of the participants, Goldfrank concludes her documentation of the St. Joseph feast with descriptions of dances and the periods between each performance. Transcripts of speeches by the Governor, Teniente, War Captain, and Fiscal are separately provided with lyrics of the dance songs and definitions of gestured movements.

For the St. Elizabeth feast in Pohuati, Goldfrank finds few variations between the two festivals. Her main observation is that only one dance from the gathering in Laguna was repeated at Pohuati, and the performer’s costumes were less extravagant.

Esther Goldfrank’s account captures the gathering of different peoples to celebrate a single religious event. Written in a detailed fashion, she is careful to note specific social interactions between the participants. As an example, she observes that although Navajo blankets adorn the ceremonies, the Navajo are disliked and do not enter the church alone. There is no analysis in her essay.

CLARITY RANKING: 4

TODD PANG Wheaton College, MA (Donna Kerner)

Goldfrank, Ester S.     Notes on Two Pueblo Feasts. American Anthropologist January-March, 1923 Vol.25 (1): 188-196.

This short article describes two Pueblo Feasts, one at Laguna and the other at Pohuati. The feast at Laguna took place on September 19th, 1921 and combines a celebration of the harvest with a tribute to Saint Joseph. The author meticulously describes the details of the ceremony including the preparations before hand, the costumes, the dances, and the procession through the village. Speeches from the feast are transcribed in full, along with the lyrics and hand gestures of the songs performed. (Franz Boas provides the translations of the lyrics and the meanings of the hand gestures). Her descriptions of the dances are some of the most interesting parts of her article, particularly the dances that feature men dressed as women and clowns. Unfortunately, she does not speculate on the meaning of these activities.

The feast at Pohuti took place on September 25th in celebration of Saint Elizabeth. The description of this feast is quite brief and focuses on the ways in which it differed from the feast at Laguna. The focus is on the somewhat dissimilar dancing formations, which the author describes in detail. The dancers at Pohuti were also dressed more casually than those at Laguna.

This article is representative of the purely descriptive monographs of the time and does not offer very much in terms of analysis. In addition, the reader does not get a very good sense of the motivations and meanings behind the activities described.

CLARITY RANKING: 5

CAROLYN SAUNDERS University of British Columbia, Vancouver (John Barker)

Gustaver, Bror.     On a Peculiar Type of Whistle Found In Ancient American Indian Graves. American Anthropologist July-September, 1923 Vol. 25(3): 307-317.

In Bror Gustaver’s article he proposes to investigate whether or not a series of peculiar objects found in ancient American Indian graves are in fact early types of whistles. These objects have been found in certain Aboriginal sites on Green River, the Lower Ohio River, and the Mississippi River. A large number of these objects are made of stone while others are made of anther. All objects are small in size and could easily be held in the palm of one’s hand. There are four different types of these specimens. All have a drilled hole as distinguishing feature. It is this feature that points toward the idea that the objects were not simply a type of ornament, but served some practical purpose.

Through the investigation of acoustic laws and measurements of the size of the bore, one is able to realize that these specimens are capable of making a favorable pitch normal for a whistle. When examining the bore more closely, it seems oddly large for its basic function, which suggests that it may serve another purpose. The decorative shape alludes to the possibility of having been worn around the neck by a string. If this is true, then the string was passed through the bore, which would provide conclusive evidence that they are whistles. The designer who made the object would have also had to take into account the diameter of the bore in order to filter a string through it. One may assume that the designer would not have gone to the trouble of making the hole 12 to 18 mm in diameter, if one was not meant to wear it on a string. Therefore, the bore is the essential feature of all the specimens.

This article would interest individuals who are intrigued by Native American artifacts. Assuming the artifact in question is a whistle, there is hope in discovering its prevalence among the Native American Indians. From these artifacts, it may be possible to draw remarkable conclusions about other aspects of their culture.

CLARITY RANKING: 4

LINDSAY HUMPHRIES Wheaton College, MA (Donna Kerner)

Gustaver, Bror. On A Peculiar Type Of Whistle Found In Ancient American Indian Graves. American Anthropologist July-Sept., 1923 Vol. 25(3): 307-317.

In this article, Bror Gustaver attempts to deal with the question of whether or not certain objects found in some Native American graves in the eastern part of the United States would be adequate for use as whistles. These objects are described as made of stone and antler and drilled through so that there was a hole from 12 to 18 mm in diameter in the middle.

His work stems from an article published in the Journal of the Academy of Natural Sciences of Philadelphia (Vol. XVI) by Clarence B. Moore in which the author proposed these objects were used as sizers to make nets for fishing. In a later paper by Count Eric Von Rosen, published in the journal Ymer, the author hypothesizes that these objects were actually whistles. Mr. Gustaver examines further whether or not these objects could be used as whistles.

The basic argument Bror Gustaver makes is that Native Americans could have used the objects as whistles. To prove his point, the author gives a brief summary of what is known to him about the laws of tone production in pipes and then applies these principles to the objects. First of all, he states the formulas from which the frequency of notes is calculated. By trying four wooden models of the objects, he is able to calculate the frequencies of the notes made them and presents the results in table form. He found through his experiment that the pitch they made is exactly the right pitch for a whistle. Gustaver then goes into the topic of the material a whistle is made from. According to Gustaver, the force of sound is increased the harder the material a whistle is made from. Lastly, Gustaver examines the diameter of the bores in the objects. They are all consistently between 12-18 mm in diameter, which are exactly the best sizes for whistles based on the laws of tone.

CLARITY: 3

BROOKE MILEY University of South Florida (Kevin A. Yelvington)

Herskovits, Melville J.     Some Property Concepts and Marriage Customs of the Vandau. American Anthropologist July-September, 1923 Vol.25 (3): 376-386.

In approximately 5000 words, Melville J. Herskovits describes two social institutions of a cattle-keeping in an East African tribe. A Columbia University student who is a member of the tribe provides the information for his account.

Herskovits describes property relations by first tracing the origins of how a man acquires land either by joining a kraal (social hierarchical group), or receiving land rights from the sub-chief of the district. With this new land, he is to establish his own kraal (although women can technically own property they rarely do). Land rights are handed over from the sub-chief, and the new owner may do as he pleases. Herskovits then describes the basic differences between private and public land in Vandau terms. Land claimed by an owner is considered private and cannot be intruded upon. All land and its bounty not claimed or previously owned is considered public, although Herskovits also notes that it can be unclear for the Vandau to determine public land. He also describes sanctions and counter-sanctions that are involved with trespassing. Disputes in local courts are a common sanction for trespassing and stealing, but the main deterrent for theft is fear of the spirits that guard the property in question.

In this herding society, owning cows denotes wealth to the Vandau, and young men often receive gifts of cattle from their families. Although women can technically own the same property as men, their chances are often overpowered by revolving constraints: the rules of Vandau inheritance essentially restrict a young woman from receiving anything from her father.

Herskovits account of marriage rituals begins with the man’s request, which is either accepted or challenged by his parents. A system of dowry is given by the prospective husband to the wife’s family, and is usually paid in cattle as a display of good will. A woman commonly has the option to select her own husband, and her parents rarely challenge her intent. Herskovits also notes that dowry can be reclaimed if divorce ensues, unless the wife can prove that her husband mistreated her. He also remarks that if the husband does not pay the entire dowry, his wife may leave him as she pleases and upon his death, the children belong to the mother’s family.

CLARITY RANKING: 4

TODD PANG Wheaton College, MA (Donna Kerner)

Herskovits, Melville J. Some Property Concepts and Marriage Customs of the Vandau. American Anthropologist July-September, 1923 Vol.25 (3): 376-386.

In this article, Herskovits addresses various aspects concerning land and marriage practices among the Vandau, whom he considers to be a tribe of eastern Africa. His motivation appears to be the documentation of the similarities between the Vandau and other tribes that occupy East Africa. Not surprisingly then, comparisons about the Vandau’s attitude toward court systems, cattle, dowries, and inheritance customs are made. Herskovits’ information comes from a native of the Vandau and student at Columbia University, A. K’amba Simango.

The Vandau live in communities called kraals, which each have a head-man. Higher in the government are the positions of sub-chief and chief, which, unlike the head-man positions, are hereditary. Both men and women of each kraal receive their own plot of land for gardening. The land may be near the kraal of residence, but if one kraal is very near to another, the plots of land may be farther away.

As with other East African tribes, the Vandau own cattle, obtaining them through working and/or gifts. Also similar to other tribes, cattle are a sign of wealth as well as the typical dowry payment for a bride. Everything is owned individually among the Vandau and women have the same ownership rights as men, though property is inherited through the male line. Wealth is not the only factor of prestige for a person however, as strength is also highly regarded.

The Vandau have a court system (again, Herskovits points out that this is like other African tribes) whereby disputes are settled by a principal chief or one of his subordinates. There are no lawyers; each person represents him- or herself, and there are only two fees paid: one by the plaintiff to the chief or subordinate, and another by the defendant to the messenger who comes to inform him of the case against him. Herskovits notes that according to the information given by Simango, it appears that the punishment one would receive from the ruling spirits does as much – if not more – to deter law-breaking than punishment given by the courts.

Marriages are very important in the culture. Having a large number of wives has traditionally been considered as a sign of wealth among the Vandau, as it provides the husband with a more comfortable lifestyle, more land in the family, and – it is hoped – many children which help to make the family more prestigious and prosperous.

Herskovits does not neglect the white European influence on the Vandau culture. He relates that near the coast the necessary dowry for a bride is increasingly being paid in European money rather than cattle. Furthermore, it is now much harder financially for a man to have many wives. Before the Europeans arrived, men had two or three wives on average, but in Herskovits’ time, it was only a small number of wealthy people who could afford that many wives.

CLARITY: 4

AMANDA PARR University of South Florida (Kevin A. Yelvington).

Hough, Walter.     Alice Cunningham Fletcher. American Anthropologist April-June, 1923 Vol. 25 (2): 254-258.

Walter Hough uses this article to give a brief glimpse at the career of Alice Cunningham Fletcher. At the pinnacle of her career, Fletcher obtained several prestigious honors for her lifetime research and support of the American Indian. Each of these honors was deemed well deserved by her peers, as "her methods were the outgrowth of her character" (256).

Fletcher, who was born March 15, 1838, began her effort to help the American Indian sometime before the year 1880. One of her first accomplishments was the innovation of a system in which small monetary loans were given to Indians to assist them in purchasing land and building houses. During 1881 and 1882, she spent time examining the Sioux, Omaha, Winnebago, and Pawnee tribes; substantial collections of objects resulted from her investigations. A short time later, Fletcher was able to secure land not only for the Omaha and Winnebago Indians, but for the Nez Percé Indians as well.

In 1891, Fletcher’s work, in conjunction with that of Professor F.W. Putnam, attracted the attention of Mrs. Mary C. Thaw. In response, the Mary Copley Thaw Fellowship was founded in association with the Peabody Museum of Archeology and Ethnology. This fellowship allowed Fletcher to dedicate the rest of her life’s work to her studies of the American Indians. During one particular stay, Fletcher developed an interest and appreciation for Indian music after a tragic attack of inflammatory rheumatism, which left her crippled. While bedridden, the Indians sang to her in an attempt to raise her spirits. As Fletcher regained her health and her strength, she recorded their songs for future use. This research is significant today as there is now evidence that Indian songs have inspired some American compositions.

At approximately the same time, Fletcher made yet another noteworthy achievement. She was able to record, for the first time in history, a complete documentation of the Hako ceremony of the Pawnee Indians. The importance of this, along with all of Fletcher’s work, resides in her ability to convey the "inner spirit and beauty of the Indian’s concepts" (256). While other observers of her time discredited the study of Indian tribes, Fletcher forged ahead to eagerly interpret their culture.

CLARITY RANKING: 4

NICOLE ARSENAULT Wheaton College, MA (Donna Kerner)

Hugh, Walter.     "Alice Cunningham Fletcher." American Anthropologist 1923 N.S., Vol.25:254-258

This article is a short, three-page dedication to the life achievements of Alice Cunningham Fletcher. The article begins with her birth in 1838, and briefly touches on her many accomplishments and endeavors as one of the first recognized female anthropologists. The author David Hough describes the nature of Fletcher’s work among a number of Native American tribes, such as the Sioux, Omaha, Winnebago, Pawnee and the Nez Perce, to name a few. Tirelessly dedicated to recording Native American culture, Fletcher contributed a great deal not just to the broader anthropological community, but also to the people whose cultures she studied. Among the skills that she took with her to the field was a lifelong interest in Native American music, much of which she carefully documented, making the significance of Native American music better known and understood by her colleagues. She also recorded numerous ceremonies and other aspects of indigenous culture that were under the threat of extinction, from encroaching settlement and inhibitory government policies.

Regarded as a friend within the indigenous communities where she worked, she was granted access to aspects of their culture as an ‘insider,’ while continuing to maintain an influential connection to scientific anthropological institutions. In this later arena, Fletcher lectured on archeology, and conducted a number of studies from the Cambridge Peabody Museum of Archaeology and Ethnology. She was also the president of both the American Folklore Society and the Anthropological Society of Washington, and Vice President of the Anthropological Association for the Advancement of Science. Her significant position in the scientific community made her work available to a broad audience and heightened public awareness and understanding of First Nations cultures. Hough writes of Fletcher, "she made unusually important contributions to our knowledge of the inner spirit and beauty of the Indian’s concepts" (256).

This article gives a brief and uncomplicated profile of Fletcher. It is smoothly written, full of praise, and includes most of the chief events and contributions of her life long work as an anthropologist.

CLARITY RATING: 5

BRONWEN SWEENEY: University of British Columbia (John Barker)

Kroeber, A.L.      American Culture and the Northwest Coast. American Anthropologist January-March, 1923 Vol. 25 (1): 1-20.

A.L Kroeber’s article is concerned with the origin of cultural elements in the

tribes of the Northwest Coast of America. Some of these elements have traits which are found in other cultures, and some are commonly found, generic traits that are seemingly absent in this particular area.  The article is concerned with establishing cultural connections between the Northwest Coast, Middle America, and Asia.  Kroeber tries to establish a pattern of geographic migration of the first people to come to the Americas by tracing certain elements present in all three areas.

Kroeber asserts that there are four groups of ingredients that make up Pre-Colombian American culture.  The first are the original common American cultural traits.  Though not necessarily universal, these traits must be shown throughout much of the Americas and may be originally from the Paleolithic-Neolithic era when the first people started migrating to the continent.  The second group consists of elements that developed in America and have since spread beyond their point of origin, e.g. agriculture.  The third group contains elements of local American origins that have remained within certain tribes from their common American inheritance.  The fourth group incorporates elements that have been brought to America since the dawn of history in the Old World.  By exploring these sets of traits, Kroeber has tried to account for the presence of traits common in American culture that are known to have developed in Asia, and to explain the lack of typical traits developed on American soil by cultures in relative proximity.

Kroeber provides a thorough investigation of cultural elements such as boat making, basket weaving, house building and political organization to explain the development of the culture of Northwest Tribes.  In addition, a historical map of migration is provided to trace different tribes and various distinctions that may have become absorbed by the people of the Northwest coast.  By incorporating these two methods, Kroeber has provided the reader with a clear idea of the possibilities of cultural development of certain people.

CLARITY RANKING: 4

AMY NELL Wheaton College, MA (Donna Kerner)

Kroeber, A.L.     American Culture and the Northwest Coast. American Anthropologist 1923 Vol.25 (1): 1-20.

In this article Kroeber attempts to sort out the relationship between the Northwest Coast culture and other Native American culture areas. He classifies groups of Native American culture traits into four distinct categories: 1) original common American culture traits presumably of Asiatic origin; 2) elements that developed in America and spread extensively beyond their point of origin; 3) traits that are American in their origin but are local in their diffusion; and 4) traits ‘imported’ into America since the dawn of history in the Old World. Kroeber theorizes that Northwest Coast culture is distinct from the rest of American culture because it contains so few standard American elements such as pottery, masonry, pyramid mounds or temples, and communal religious societies. He argues that any similarities between Northwest Coast culture and other American cultures are the result of independent invention or contact with Europeans. All other common traits form part of the Asiatic-American culture base from which all American cultures ultimately derived.

In this article Kroeber goes through a list of culture traits that are considered common to most Native American cultures and indicates their presence or absence in the Northwest Coast. These include everything from the use of tobacco to the presence of ball-headed clubs to the use of calendars. Kroeber uses the continental distribution of traits and internal evidence to show that any similarities were independently derived in the Northwest. At the end of his article Kroeber discusses Native American culture traits that are similar to traits in Asia. He entertains the possibility of Asia having a more direct relationship to the Northwest because of their relative geographic proximity but ultimately decides that there is a lack of evidence on which to base such as proposition. It seems that the majority of traits considered to be of Asiatic origin are found in areas surrounding the Northwest but rarely in the Northwest proper. These traits include the net snowshoe, the sled, the oil lamp, birch-bark vessels and transvestite customs. The Northwest Coast seems to have developed in a very remarkable manner in that its culture traits are unusually distinct.

This article contributes to an overall understanding of the diffusion of culture traits throughout America. It is well organized and easy to follow.

CLARITY RANKING: 5

CAROLYN SAUNDERS University of British Columbia, Vancouver (John Barker)

Lothrop, S. K.     American Feather-Decorated Mats. American Anthropologist July-September, 1923 Vol. 25: (3) 304-306.

Lothrop’s article "American Feather-Decorated Mats" examines preserved mats stored in Rome and Madrid for their depiction of various themes created by the feather patterns. He suggests that the artifacts originated in Northwestern Argentina, rather than another part of the New World. The mats were stolen during the sixteenth to eighteenth centuries by Spanish conquistadors and missionaries. They were brought back to be displayed in Europe.

Lothrop goes into considerable detail describing the physical construction of the mats. Specifically, he reconstructs the placement of wooden slats and cotton thread, showing the method in which the makers ensured that the materials would not slip. Feather placement is also of interest to Lothrop because it supports the argument that the mats are not from Mexico or Peru, but from Argentina. Lothrop then goes on to describe each plate that is featured in the article as well as the Aboriginal and European influences depicted in their designs.

Using the specific placement of the feathers on these mats and comparing them to other mats collected at the time, Lothrop states that their origins can be determined using the patterns which they employ. They do not resemble mats from Mexico, but have similar designs to those of Peru. The motifs contained in the American feather-decorated mats share qualities with the Peruvian mats. From this information, Lothrop surmises that the mats are from Northwestern Argentinean cultures in origin with distinct intrusive Peruvian features.

CLARITY RANKING: 4

CARRIE L. PRIOR Wheaton College, MA (Donna Kerner)

Lothrop, S.K.     "American Feather-Decorated Mats." American Anthropologist 1923 N.S., Vol. 25:304-307

This article gives a descriptive analysis of feather-decorated mats that were brought back from South America by Sixteenth Century Spanish conquerors, and from underground excavations undertaken in Peru. The author believes that these mats originally came from North West Argentina, because they "are technically unlike any examples of feather-work which have been published…"(304). They are unlike those that have been found in Europe and North America.

To explain this hypothesis, the author discusses in detail the artistic patterns found on these mats, carefully explaining the symbols and designs that he links to various distinctive cultures in South America. The author identifies patterns and designs found on the mats, and discusses them in them in detail. Included is descriptive analysis such as "The pattern [sic] consists of two double-headed monsters so curved that the heads face each other, like a letter C" (305) and constructural information such as "a single gummed strand runs down the center and additional black lines can be seen under the central pattern…" (305-6). All of the feather-decorated mats discussed by this author are now preserved in museums, located in Rome and Madrid. Included are three photographs and four illustrations of their unique feather décor.

The information presented in this article is more descriptive then it is conclusive; it is not a theoretical examination of the symbolism of these unique designs. The only conclusive aspect is the assertion made as to the origin of these artifacts, and their connection the historical cultures of Argentina.

CLARITY RATING: 3

BRONWEN SWEENEY: University of British Columbia (John Barker)

Lowie, Robert H.     Psychology, Anthropology, and Race. American Anthropologist July-September, 1923. Vol. 25(3): 291-303.

This article discusses the differences in the ways in which psychology and anthropology approach the issue of race. Lowie accuses the field of psychology of fabricating biological facts in order to prove a theory. He supports the anthropological approach, which takes environmental factors into consideration when dealing with race issues. This article addresses common misconceptions associated with anthropology and concludes that racial studies must be conducted under careful consideration of all the factors that influence racial issues.

Lowie addresses many misconceptions about anthropology. A common misconception is the idea that anthropologists favor excessive influence of environment over hereditary factors in the explanation of cultural patterns. Another misconception is that anthropologists teach absolute equality of all races. Lowie cites Professor Franz Boas as a common target of these callous accusations, and argues that Boas is not a guardian of these doctrines. He quotes professor boas at length to refute the misguided interpretations of Boas’s work. Lowie also states that Boas teaches his students that the innate equality of all races is unproven yet, just as all claims of inequality of all races has not yet been scientifically proven.

Lowie goes on to refute the claim that anthropologists are obsessed with environmental factors affecting the abilities of the races. He also states that those who most enthusiastically accuse anthropologists of miscalculating heredity as compared with environment are hypocritical. Lowie examines the debate of innate ability and culture are not necessarily rooted in any innate differences, thus he argues this popular stance is wholly inconclusive.

Lowie also holds that environmental factors must be taken into consideration when thinking about racial stratification. He feels it is necessary because no effective quantitative determination of innate differences among races has been developed. Lowie also deters anybody from attempting to group races and nationalities, stating that they rarely coincide. He again attacks prominent psychologists from the time for trying to do just this. Lowie believes the variability of ‘pure’ nationalities is really not known.

Lowie concludes anthropological ventures in racial studies must be done with a survey of these difficulties. One must pick a region well known in the field and that contains more than one segregated racial strain. He fingers Italy as being a good choice. The difference between North and South Italy provides an excellent place for psychological investigation. Furthermore Italy is an easy country to minimize environmental factors. Lowie feels that when psychologists provide proof of innate differences among the races, anthropologists will embrace them, but until then scanty biological facts and unheeded criticism will not be accepted.

CLARITY RATING: 3

ALISON TREBBY Wheaton College, MA (Donna O. Kerner)

Lowie, H.R.     "Psychology, Anthropology, and Race." American Anthropologist 1923 N.S., Vol. 25 July-September No.3:291-303

This article by Robert H. Lowie takes a defensive stance against what he calls "the strange notion that certain anthropologists favor an extravagant influence of environmental as contrasted with hereditary factors"(291). When addressing the question of hereditary explanations for cultural variations, the author begins by arguing against the assumption that anthropologists put sole emphasis on environmental factors to explain cultural variation. The author argues that anthropologists are not denying the possibility of biological explanations, but is adamant that explanations of this type cannot be made without more complete scientific evidence. He supports his argument by drawing attention to the nature of cultural change, which can often happen without any subsequent biological alterations. He says "when we study the known history of culture, we find great changes without any corresponding changes in racial constitution" (296). To further support his argument, psychological studies of biological differences are discussed, which are seen to have yielded unscientific results. It is mentioned that there is more variation found within cultures then between them, and that judging mental capacity based on culturally specific I Q testing and educational standards are obviously going to be biased in their findings.

I would suggest that primarily the author is defending anthropologists who were educated as ‘historical particularist,’ studying under Franz Boas. It is mentioned in the article that Boas has been misinterpreted as writing off biological influences in his explanations of cultural variation; the author argues that it is a lack of scientific data, not the conviction of a purely environmental influence, which has stopped Boas from taking a definitive stance for or against genetic influence on culture.

He concludes the article by suggesting that conducting scientific research to find more empirical evidence is in fact possible to do, but only under specific and unique circumstances. That is, the area being studied must be well known anthropologically, and include two or more different cultures who have been relatively isolated and segregated from each other. Until unbiased researchers can carry out this kind of study, the author posits that it is the duty of anthropologists "to repudiate not biology but the sham biology that invents facts and even biological ‘laws’ to support personal views" (303).

The author makes it clear that although he himself is not in favor of taking a stance for racial inequality, he feels that there is insufficient evidence for professionals of any field to make definitive scientific conclusions. I found the subject of argument in this article to be, of course, an outdated and ethnocentric concern. Perhaps it is however a good depiction the differing stances taken for or against racism during the early 1900s, and the push to find definitive ‘evidence’ that would end the various disputes.

CLARITY RATING: 4

BRONWEN SWEENEY: University of British Columbia (John Barker)

MacCurdy, George Grant.     Certain Specimens from the Riviere Collection. American Anthropologist January-March, 1923 Vol. 25 (1): 72-89.

This article commences with a short introduction of Emile Riviere, who was the last member in the elite group of French prehistorians. He and his relatives donated many of his findings to museums. His exploration lasted between the years of 1870 and 1910. He died in Paris in January of 1922.

Riviere’s greatest findings were at the caves of Rey, Liveyre, Lanugerie-Haute, La Mouthe and La Micoque. MacCurdy explains the important discoveries of Riviere in each one of the caves. Below is a brief summary of the discoveries in each cave.

Cave of Rey: Riviere, along with the help of Peyrony, discovered a type of cultural sequence for Paleolithic Europe. This sequence was not only for the cave of Rey, but also for the cavern of Les Cambarelles, to which the cave of Rey opens up. The most important specimens in this cave were two sculptured fish that were carved with great artistic skill.

Cave of Liveyre: Contained various flint implements, along with tools and weapons constructed from bone and antler. There are also points of quartz-crystal, a wolf’s tooth, a pot of fossil shells painted with red ochre, a red ochre crayon, a limestone pendant and a perforated pendant, with animal figures.

Cave of Laugerie-Haute: Findings of javelin points and spatulae of reindeer horn, bone needles, a javelin point of ivory, harpoons and a baton of reindeer horn, stone pendants, perforated teeth of Bos, the engraving of a head of a horse and two mammoths carved on reindeer horn.

Cave of La Mouth: Findings that indicate its cultural sequence. It is the first recognition of parietal cave art in France during the Paleolithic age. There is an assortment of teeth, pointed pieces of bone, reindeer horn fragments, javelin points, ivory implements and bone needles.

Cave of La Micoque: Discovered by Riviere in 1895. It is one of the oldest stations in Dorgogne. In this collection are, crude flint pieces, bone pieces, cleavers, blades, points and side-scrapers.

CLARITY RANKING: 2

TANYA SZAFRANSKI Wheaton College, MA (Donna Kerner)

MacCurdy, George Grant.     Certain Specimens From the Riviere Collection. American Anthropologist January-March, 1923 Vol.25 (1):72-89.

In this article the author describes various palaeolithic specimens acquired by the Peabody Museum at Yale University from the estate of Emile Riviere, a prominent French prehistorian. Although the specimens acquired by the Museum represent numerous sites in France, the author focuses on those sites that have appeared infrequently in the anthropological literature. These include the caves of Rey and Liveyre, and to a lesser extent, Laugerie-Haute, La Mouthe, and La Micoque. When necessary, he discusses items found at other locations in order to demonstrate the larger significance of the artifacts now in possession of the Museum.

For each site he provides the cultural sequence and a detailed inventory of the palaeolithic tools and art objects found there. He pays particular attention to items with special significance. For instance, at Rey, two of the most notable finds are sculptures of fish carved from the ribs of a ruminant. Fish are one of the more unusual animal representations found in cave art. He provides a detailed account of the various reproductions of fish found in sites throughout Europe. These accounts include specifics such as the type of fish depicted (trout, pike, salmon, etc.), type of decoration used, other types of animal figures represented, and other features of interest such as hooks or harpoons. At another site, Laugerie-Haute, he remarks on a perforated tooth that is unusual because the hole is located in the middle of the tooth rather than at the tip of the root. The majority of the information in the article is descriptive; however, the author does occasionally attempt to draw larger conclusions from the data. For example, he speculates that the harpoons found at many of the sites may have been used for fishing because figures of fish were found at these same sites.

This is an informative article that emphasizes the description of material objects. Overall this article is representative of archeological writing in the 1920s.

CLARITY RANKING: 5

CAROLYN SAUNDERS University of British Columbia, Vancouver (John Barker)

MacLeod, William Christie.     On the Significance of Matrilineal Chiefship. American Anthropologist, 1923 Vol.25(4):495-524

William Christie MacLeod looks to discuss the significance of matrilineal chiefship. He extensively discusses the rules that surround inheritance and those conditions that lead someone into power. MacLeod feels that chiefship is universally the arena of adult men. Only when a male cannot fulfill this position of power will an intermittent leader take office until another capable male is ready. Intermittent leaders can include an immature male, a woman, or the son-in-law of a former office holder. However, the occurrence of these events is very rare and found in the southern Kwakiutl. The Kwakitul have a bilateral kinship pattern but they lean towards patrilineal chiefship. Matrilineal chiefship is often associated culturally with the mother-sib. MacLeod feels that there is a primal psychic urge towards the evolution of patrilineal chiefship. MacLeod discusses the findings of Le Petit, Du Pratz, and Dumont with respect to the matrilineal chiefship of the Natchez, which is based on the fact that the men of this community are licentious. The Lenape chiefship is important in that it demonstrates the significance of the evolution of matrilineal chiefship. He rejects the idea that this is an ancient custom, saying that matrilineal chiefship is a result of uncertain paternity. This relationship between the mother-sib and hereditary chiefship is not dependant upon each other. MacLeod concludes that where there is patrilineal chiefship it will be prior to the evolution of the mother-sib. The article is wordy, and filled with footnotes, and he comes to his conclusion in a long-winded manner.

CLARITY RANKING: 2

MAURA MAE DEEDY Wheaton College, MA (Donna Kerner)

MacLeod, William Christie.    On the Significance of Matrilineal Chiefship. American Anthropologist Oct.- Dec., 1923 Vol.25(4):495-524

This analytical article traces the evolutionary origins of matrilineal chiefship. The author believes that this form of chiefship is notable, as the institution of chiefship is generally passed down through the father’s line.

Using extensive cross-cultural data to support his argument, MacLeod explains that matrilineal chiefship only exists among peoples with a mother-sib (a matrilineal kin group), which molds the chiefship along matrilineal lines. In all other cases, the "primal psychic urge" of the father to promote the welfare of his progeny leads to a patrilineal chiefship. Deviations from this pattern (co-occurrence of patrilineal chiefship and a mother-sib or of matrilineal chiefship and a father-sib) are explained in several ways. MacLeod states that in groups where a patrilineal chiefship coexists with a mother-sib, the sib has insinuated itself in after the chiefship was already established, and does not compete with the chiefship. Co-occurrence of a matrilineal chiefship and a father-sib indicates either that a group with a matrilineal chiefship has superimposed itself upon a group that was originally patrilineal or that the group originally possessed a mother-sib which then decayed or disappeared.

As an example of the general ‘primary’ tendency towards patrilineal inheritance of the chief’s office, the author points out that even among the Tsimshian, who have a mother-sib, the families of chiefs often practice cross-cousin marriage, so that the chief’s heirs in the succeeding generation will be his own grandchildren (503). The Lenape are given as an example of a group with a mother-sib, who may be evolving a matrilineal system of chiefship (519-521). Cultural data supporting the theories about deviations from the basic pattern of inheritance of chiefship includes the example of certain Australian tribes with a patrilineal chiefship and a mother-sib and the Baganda of Uganda, where the commoners belong to a father-sib while the chiefly family belongs to a mother-sib. MacLeod speculates that in the case of the Baganda, the chief’s family may be a matrilineal group that conquered an originally patrilineal clan (518).

This article must be read carefully to follow MacLeod’s argument, which relies on detailed descriptions of family relationships to make its points.

CLARITY RANKING: 2

TIFFANY GALLAHER University of British Columbia, (John Barker)

MacLeod, William Christie. On the Significance of Matrilineal Chiefship. American Anthropologist Oct.-Dec., 1923 Vol.25(4): 495-524.