Who Are the Yanomami and Why Are They Important in Anthropology?

continued . . .

The Yanomami are also one of the foundational societies of the anthropological corpus. They are referred to in most introductory textbooks. Anthropology has become increasingly fragmented over the past several decades, with anthropologists studying a wide array of societies. The Yanomami—along with the Trobriand Islanders, the Navajo, and the Nuer—constitute shared points of reference for the discipline in these fragmented times. The Yanomami are one of the groups almost every anthropology student learns about during his or her course of study.

The Yanomami tend to be called by three names in the literature: Yanomami, Yanomamö, and Yanomama. The names all refer to the same group of people. Different subgroups are labeled (and label themselves) with different terms; there is no broadly accepted indigenous term for the whole group. There is a politics of presentation regarding which of these three terms one uses. Yanomamö is the term Chagnon gave the collective group, and those who refer to the group as Yanomamö generally tend to be supporters of Chagnon's work. Those who prefer Yanomami or Yanomama tend to take a more neutral or anti-Chagnon stance. I use Yanomami here because of its wide usage and greater neutrality. (When citing Chagnon in describing the group, I use Yanomamö to remain consistent with his usage.) Readers can substitute whichever term they wish.

Chagnon wrote Yanomamö: The Fierce People (1968) at a critical time in the discipline's development. American universities expanded significantly in the 1960s and 1970s, and, related to this, so did the discipline of anthropology. Prior to the 1950s, American anthropology had focused on the native peoples of North America and was only seriously turning, in the 1950s and 1960s, to other areas of the world. The Holt, Rinehart and Winston series in which Chagnon published Yanomamö emphasized a broadening of the anthropological corpus. The series offered new works for new times. The foreword to Yanomamö states that the case studies in the series "are designed to bring students, in beginning and intermediate courses . . . insights into the richness and complexity of human life as it is lived in different ways and in different places" (1968:vii).

I presume, though I have no way of knowing for certain, that at one time or another the majority of anthropologists have read Chagnon's book. At least one, and perhaps several, generations of American anthropologists have been raised on it.

The Yanomami are a tribe of roughly twenty thousand Amazonian Indians living in 200 to 250 villages along the border between Venezuela and Brazil. "The fact that the Yanomamö live in a state of chronic warfare," Chagnon writes, "is reflected in their mythology, values, settlement pattern, political behavior and marriage practices" (1968:3). He continues: "Although their technology is primitive, it permits them to exploit their jungle habitat sufficiently well to provide them with the wherewithal of physical comfort. The nature of their economy—slash-and-burn agriculture—coupled with the fact that they have chronic warfare, results in a distinctive settlement pattern and system of alliances that permits groups of people to exploit a given area over a relatively long period of time. . . . The Yanomamö explain the nature of man's ferocity . . . in myth and legend, articulating themselves intellectually with the observable, real world" (1968:52-53). Chagnon notes that members of one patrilineage tend to intermarry with members of another, building ties of solidarity between the lineages through time. The local descent group—the patrilineal segment residing in a particular village—does not collectively share corporate rights over land. Rather it shares corporate rights over the exchange of women (1968:69), whose marriages are used to build alliances. Chagnon observes, "The fact that the Yanomamö rely heavily on cultivated food has led to specific obligations between members of allied villages: . . . The essence of political life . . . is to develop stable alliances with neighboring villages so as to create a social network that potentially allows a local group to rely for long periods of time on the gardens of neighboring villages" when they are driven from their own by enemy raids (1968:44). While stressing the violent nature of Yanomamö life, Chagnon indicates that there are graduated levels of violence with only the final one—raiding other villages—equivalent to what we would call "war."

It is Chagnon's description of the Yanomami as "in a state of chronic warfare" that is most in dispute. The French anthropologist Jacques Lizot, in Tales of the Yanomami, writes: "I would like my book to help revise the exaggerated representation that has been given of Yanomami violence. The Yanomami are warriors; they can be brutal and cruel, but they can also be delicate, sensitive, and loving. Violence is only sporadic; it never dominates social life for any length of time, and long peaceful moments can separate two explosions. When one is acquainted with the societies of the North American plains or the societies of the Chaco in South America, one cannot say that Yanomami culture is organized around warfare as Chagnon does" (1985:xiv-xv).

Chagnon depicts the Yanomami as "the last major primitive tribe left in the Amazon Basin, and the last such people anywhere on earth" (1992b:xiii). We need to note, however, that the Yanomami have been in direct or indirect contact with westerners for centuries (see Ferguson 1995:77-98). They are not a primitive isolate lost in time. Ferguson writes: "The Yanomami have long depended on iron and steel tools. All ethnographically described Yanomami had begun using metal tools long before any anthropologist arrived" (1995:23).

In providing this brief overview, I have focused on Chagnon's Yanomamö because it is the most widely known account. But there are other recognized ethnographers who have written about the Yanomami who might be cited as well: notably, Bruce Albert, Marcus Colchester, Ken Good, Ray Hames, Jacques Lizot, Alcida Ramos, Les Sponsel, and Ken Taylor.